MUSICAL FUNTIME

MUSICAL FUNTIME

An Innovative Musical Learning System that links a Child’s Talents from Crib to College.

The Presence of Music is Historical. The Appeal of Music is Universal.
The Influence of Music is Profound.

Dear Parents, Teachers, and Directors:

I’m a violinist, music instructor, and researcher. I participated in a ten-year study exploring the cause and effect between music education and early neural development.

Nature dictates that our prominent prenatal sense is auditory, and everything we hear during our newborn, toddler, preschool, and primary years directly influences our progressive brain growth.

Although all sounds stimulate early neural activity, repetition is essential for long-term retention. The best example of this trait is language acquisition. By just hearing our family’s recurring voices, our accents are locked-in permanently. In this same manner, a daily dose of musical tones can also be used to benefit childhood progress.

Science has demonstrated that our critical thinking skills (the ability to perceive and correlate) enhance dramatically when we are introduced to quality tonal experiences. Therefore, because the baby’s auditory function in utero is fully formed by the third trimester, the prime time to modify neural expansion is during nature’s foremost window of opportunity; the earlier, the better.

At birth, our brain develops 1,000 times faster than at age 15; 10,000 times faster than at age 50. Because nature works on a use-it or lose-it basis, potential brain connections that do not get established (the result of reduced or zero stimulation) will atrophy.

Setting genetics aside, a baby’s increasing brain power is fueled by the neural networks that are shaped and reinforced when brain formation is highly adaptable and capable of significant change.

Between birth and 3, the number of synapses increase from 2,500 to 15,000 per neuron.

Early exposure to the sounds of multiple harmonies and complex rhythms will boost Spatial-Temporal reasoning skills — the thought process required to solve multi-step problems.

Music education is not just a key influence in the creation of talent, but also in the evolution of intellect.

“The true value of early music education is not in the making of a concert musician,
but in the giving of a quality auditory exposure when it matters most.”

The research included a physicist, his science team, hundreds of musical products, the history of music education, and one-thousand kids, ages 0-12.

In utero, hearing is the prime sense and the neural networks that link sounds to your brain, the auditory cortex connection, are fully functional by the third trimester. This is the time babies are ready to become what they hear.

By week 5, two small spots appear on either side of the baby’s head that become the inner ear that eventually form the main organ of hearing – the cochlea.

By week 8, the middle ear begins to process sounds through vibrations.

By week 12, the hair cells, specialized sound transmitters, spring up inside the cochlea and eventually connect to a nerve that sends sound impulses to the brain.

From weeks 16 to 32, the middle ear cavity and the outer ear canal are fully formed. Although sounds from the outside world are muffled, the mother’s voice and any sounds that can reverberate, like the strumming from a ukulele on the baby bump, will be heard by the baby more clearly.

At this stage, the repetition of sounds form neural networks that last a lifetime. The best example of this is your accent. It can be temporarily modified, as in what actors do, but those early neural connections are indelible.

For instance, if you grow-up in Paris, you will speak English with a French accent. If you are born and raised in Beijing, you will no longer have the neural connections available to match a native English speaker’s pronunciation of V’s, R’s, or L’s.

Potential neural networks that are deemed as “not needed” due to lack of consistent early exposure will atrophy and dissipate like an unused muscle. This is true with all languages during the acquisition stage.

Exposing babies before and after birth to daily sounds that emphasize enhanced harmonies such as Mozart’s 12 Variations in 12 Key Signatures will magnify auditory cortex neural networks.

In addition to recorded music, live acoustic sounds are premium. Strum chords from a ukulele before and after birth. There’s a wealth of ukulele YouTube tutorials. Choose songs with lyrics and sing to your child while strumming chords into your baby's beautiful brain.

My goal is to have all OB-GYN offices distribute ukuleles as part of their practice for baby health, and to have all maternity wards give the parents a Casio Key-Lighting Keyboard as a parting gift.

After birth, as soon as you and your newborn are ready to venture out, go to weekly Mommy and Me music and movement group classes, such as Music Together, to vocalize and socialize through musical expression.

I'm famous for saying that every neighborhood grandmother has an upright. Or hire a piano mover to pick up a piano from an OfferUp donation. Sit your baby on your lap, and bang away as often as possible. Every day will be ideal. The brain will link to the piano sounds as another language.

At this stage, the purpose is to enhance the child’s intellectual development. Bigger sounds make bigger brains that impact mental flexibility. The piano is the perfect instrument for this benefit.

By the third trimester, the cerebrum begins to develop grooves and ridges that deepen in tracks that are influenced by the repetition of sound.

There’s a time and place for everything, and the time to introduce auditory complexity is as early as possible.

Every family has their own musical profile. I got lucky with a Mother who listened to classical music. She then inspired me to play the violin, and when I started enjoying popular music, 4-part harmony was all the rage with the Beatles.

Follow these steps, and your Baby will be just as lucky.

As soon as you and your newborn were ready to explore the outside world together, you could have already joined a Mommy and Me music and movement class where children vocalize and socialize through musical expression.

If not, please do so now. It’s never too late, but during years 1, 2, and 3, neural networks are still connecting at light speed and the activities that get ignored will prune like an unused muscle, so your child's advancements are based on timing and frequency. The earlier, the better and the more often, the better.

Also, by now, you should have found a way for your child to bang on a piano keyboard, preferably acoustic, as often as possible. Complex sounds are critical to your child’s auditory cortex development. Imagine how diminished your child’s language skills would be if your child only heard you speak for one hour once a week.

Continue that routine religiously throughout this time sensitive use-it or lose-it period during the toddler and preschool stages.

All preschools should focus on five subjects, Music, Dance, Drama, Art, and Languages.

As far as Mommy and Me music classes, I personally explored all the main companies in this field, and I recommend Music Together from Princeton, New Jersey. They started in 1987 and have over 3,000 neighborhood locations.

All their teachers are company trained and certified. Their music is thoughtfully composed. The classes are fun and effectively interactive.

At this stage in a child's development, it's time to consider private Lessons.

If you started this program from prenatal to now, your child has had daily exposure to quality tones and complex rhythms from listening to Mozart's 12 Variations in 12 Key Signatures, along with Mommy's lovely singing while strumming those beautiful Ukulele chords, as well as from listening to numerous other Classical selections discovered over the years, all the happy singing from the Mommy and Me classes, and all the glorious banging on piano keys.

Now is the time to get initiated to the mysteries of rhythm, pitch, and notation on an instrument.

The choice between piano and violin will be a calculated decision. Though Shinichi Suzuki spent 50 years of his life recalibrating the professional full-size violin to the size of a toddler, I still strongly recommend the piano for these reasons:

The keyboard is linear, easier to navigate than other instrument configurations, and I would hope that by now, your child was able to already have years of frequent access on an acoustic piano, so the formality of an official lesson plan will be an easy transition.

Playing the piano also encourages the player to vocalize. A continuation from all those inspirational Mommy and Me classes.

However, if the parent has a dream of having a concertmaster in the family, as my dear Mother did, then, find a Suzuki violin teacher. With fingering tapes, playing the violin can be a little less confusing.

Remember, it's the harmonies from combined tones that fuel the auditory cortex development and that's the benefit of playing the piano first. The guitar is chordal but can’t be started as early as the piano. The violin is not a chordal instrument, so until the time the child joins an orchestra, continue the piano experience during those early violin lessons, otherwise, they will always have a gap in their musical-brain training.

The Suzuki company happens to have several instrumental programs that include the violin, cello, guitar, and piano. If possible, find a certified Suzuki teacher who teaches multiple instruments, to link the continuity.

The piano captures rhythm, pitch, and notation like no other, and along with vocals, needs to be a staple throughout the process of musicianship.

As mentioned earlier, my goal is to have all OB-GYN offices distribute Ukuleles as part of their practice for baby health, and all maternity wards give the parents of newborns a Casio Key-Lighting Keyboard as a parting gift.

At age 6, if you haven't yet, start piano lessons.

If at 6, you have already started or are interested in the violin or guitar, continue with your ambition, but also start the piano.

Regardless of which future instrument you choose to excel on, the piano will be part of your musical experience for a lifetime. Pianists focus on core musical elements ... rhythm, pitch, and notation ... knowledge required for all instrumentation.

At age 7, continue piano and add a year of drum lessons to focus on the techniques of rhythms. Rhythms are the foundation of all instrumentation, especially keyboards, because the piano is technically in the percussion family of instruments.

At age 8, drop percussion, continue piano, and although you've been singing since the Mommy and Me classes, add official voice lessons to the lineup to fine tune your inner year and begin stretching your vocal cords.

At age 9, continue piano and voice, and add a year of ukulele or guitar to the lineup to advance musical expression through song.

At age 10, continue piano and voice, and consider changing to a year of brass or woodwind to explore your musical horizons.

At age 11, continue piano and voice, and consider alternating to another wind instrument, if interested.

At age 12, continue piano and voice, review your experiences thus far, and decide on which musical family you will commit to: strings, woodwinds, brass, percussion, or focus on piano, voice and/or the violin.

During this organized process, if the child displays a propensity towards one instrument, start bi-weekly lessons. If that particular focus changes, return to the lineup. A consistent quality experience is the goal.

Between the ages of 13-18, the physical capability of children matches their drive to test their limitations, and that combination can easily become problematic in every way possible without a goal.

Playing a musical instrument is a way to channel emotions while keeping the brain on track.

Continue with piano and voice lessons, and if one or both of those musical expressions works well, then make that your choice to take to the next level.

Otherwise, select an instrument from the 6-12 experiences and practice every day to achieve a level of excellence whereby you'd qualify for college scholarships.

Practice one hour a day and you will be above average in most endeavors.

Practice two hours a day and you will be reasonably impressive as a possible contender.

But, if you spend three hours a day practicing during the school year, and five hours a day practicing during summer break, instead of playing video games and/or time on social media, you'll be excellent enough to make a difference in your life in serious ways ... socially, professionally, and intellectually ... even if you become a doctor or lawyer or join the military.

In California, there’s a Doctors Symphony Orchestra. When the President needs entertainment for a Diplomat, the Marine Corps musicians are called to duty.

The drive for excellence in learning music will transfer to any career.

Whenever an event occurs that marks a dynamic change in society, it’s that date that gets universally referenced, such as the 1929 stock market crash, or when COVID-19 was announced as a pandemic in March of 2020.

Social scientists will be pinpointing 2007 as the beginning of our children’s intellectual downturn from algorithm addictions. On June 29, 2007, the first smartphone was released by Apple.

(Ironically, Steve Jobs restricted his children from using electronics knowing that screen time would negatively effect creativity, communication, and sleep. He also knew that the childhood addictions from his iPhones and iPads would continue throughout adulthood.)

Ever since then, and increasingly so, our children have become the innocent victims of this insidious technology and we, the adults, all play a critical part in the complicity of their addictions.

You want instant peace when the baby gets cranky at dinner ... give them a phone. Let’s go shopping at the mall ... give them a phone. Although schools are now addressing policies on phone use, for years, teachers would allow students to use their phones in class for “educational” purposes.

Of course, as society progresses so does technology, and as convenient as on demand communication is, when a child with an undeveloped pre-frontal cortex gets introduced to a video game or social media, for instance, the brain’s capacity for intellectual development becomes stunted because comprehension is dampened by electronic stimulation.

When you don’t need to learn vocabulary because spellcheck instantly makes corrections, and when you don't need to research, analyze, and compose a report because artificial intelligence can do it for you, then the brain will deem those potential neural connections required to complete that specific intellectual task as not needed.

The brain may be malleable, but when the lack of intellectual stimulation is a frequent occurrence, there is a negative effect on development. Spending hours every day on a phone, or a computer playing video games or watching cartoons will trigger biology's default mode: use-it or lose-it.

The best activity to mitigate the intellectual void from electronics is talent education.

Here’s an insightful quote from Stephanie Perrin's experience at the famed Walnut Hill School in Natick, MA ... “If you want a motivated, organized, hard-working, flexible, smart, creative worker, able to work well alone or in groups … hire a young violinist.”

JOSEPH DOMINIC —Timeline

Career Skills: Violinist

  • Music Education Specialist, ages 0-12
  • Baby Einstein Researcher, Music Education Products

Educational Background:

  • Sabina Girvan, Music School of Delaware
  • Yumi Ninomiya, Curtis Institute of Music
  • Ivan Galamian – Sally Thomas, Juilliard Meadowmount
  • Thomas Lindsay, New Jersey Symphony Orchestra
  • Charles Castleman, Eastman Quartet Program
  • Shmuel Ashkenasi, NIU Vermeer Quartet

Professional Memberships/Certifications:

  • American Federation of Musicians
  • Delaware Symphony
  • NIU Bachelor of Music
  • Suzuki Teachers Association
  • Music Together, MusikGarten

Professional Accomplishments:

  • Director, Beverly Hills Conservatory of Music
  • Director, Violin Youth Ensemble
  • Director, Doheny Music Department
  • Violin Coach and Soundtrack Artist of TV Series, PARTY OF FIVE
  • Featured in opening quartet scene of Spielberg’s movie, AMISTAD
  • Founder, MUSICAL FUNTIME™ a Musical Learning System for ages 0-12
I began my formal music education as a violinist at the Music School of Delaware and continued with Yumi Ninomiya from the Curtis Institute of Music. I then entered the Meadowmount School of Music, under the tutelage of Juilliard’s Ivan Galamian, and completed a scholarship degree with Shmuel Ashkenasi’s Vermeer Quartet at NIU.

Over the years, I’ve observed various levels of talent. Mastering any instrument certainly requires practice. However, playing music equals making music when the ability of keeping rhythm becomes the art of syncopation; when following notation opens to improvisation; when melody yields to counterpoint.

Traditionally, music lessons start when beginners choose or “agree” to choose an instrument and focus on the mechanics of technique. However, concentrating on procedure without comprehension creates a serious learning gap. Children need a musical foundation for reference. For every one accomplished musician, there are scores of hopefuls who quit the challenge altogether too soon due to lack of basic skills.

Music education shouldn’t be an all or nothing activity. Eventually, the crunch between student–teacher frustration and parental expectation negatively impacts the entire experience. Children need time to experiment with a selection of musical expressions.

Early music education is modestly available, but the science of infant development indicates that quality musical experiences are exponentially beneficial to the neurology of the youngest of minds. There are 10,000 babies born daily in America. I envision an approach that connects teaching methods with age appropriate products and services.

My first impression of the “baby music lesson” was during a birthday party.
The one-year-old guest of honor was sitting on his grandfather’s lap while tapping at the piano. I noticed how the baby had been repeating the middle C note when suddenly, while being pulled back just far enough to miss the keyboard, he stretched his leg to intently continue his performance of middle C.

Teaching music to babies was further convincing when a Mother brought her six-month-old daughter to her older son’s lesson. They simply sat in the room and observed. Days later, the Mother was astonished by her baby’s musical actions. This inspired me to initiate a Musical Fun Center for children 0 to 12.

In accommodation, I supplied toy drums, toy pianos, toy guitars, etc. The children enjoyed the musical toys so much that most of them cried not to leave. With that intuition, I tested every musical product available, literally hundreds over the years. I studied countless children pry, ponder, play, and learn; each child adding unique components to my system. With the correct modifications, musical toys can be legitimate teaching tools. I am devoted to the creation of a complete musical learning system starting from birth.

I researched the convention circuit. I gathered firsthand information from music merchandisers, toy industry experts, and electronic engineers. To date, I’ve reviewed numerous accounts of case studies and have collected impressive media coverage. I formulated toy and product designs. My expertise is in product design and curriculum continuity. My marketing strategy includes slogans, logos, trademarks, and distribution venues.

Governing policies, feature presentations, and scientific studies continue to headline childhood research. When the first page of the LA Times Business News reviewed early music education as a prosperous industry, I conducted a 600 hour mall survey to test consumer interest. The response was overwhelmingly positive. I expanded my research to include a guest appearance on talk radio, once again to rave reviews. I researched prototyping, site locations, and logistics.

The MUSICAL FUNTIME Musical Learning System is ready to launch.

All levels of participation are open.

Mozart’s 12 Variations

Mozart’s 12 variations of the Twinkle lullaby:

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Over the years, hundreds of families with babies would ask “what to do first?”
My immediate reply, “start with playing Mozart’s Greatest Hits every chance possible.”

But many times, the sound of Classical music wasn’t appealing to the generation of younger parents. So, I conducted a survey and 100% agreed that a lullaby would be appropriate.

Lullabies, however, do not have enough harmonic and rhythmic complexity to make a significant impression on the neural development of newborns, toddlers, and preschoolers who have trillions of potential brain connections. If physically, you are what you eat, then, intellectually, you become what you hear.

Serendipity calls. Once upon a time in 1756, a genius was born into a musical family during the Classical music period — the very time when popular music was saturated with complex rhythms and perfect intervals.

His name was Wolfgang Amadeus Mozart and at the age of 25, for whatever reason, he sat down at a keyboard and improvised 12 variations to the theme of a French folk song called, “Ah! vous dirai-je, Maman” (Ah, Mother, if I could tell you) that the world now recognizes as the music to Twinkle Twinkle Little Star.

All the above inspired me to produce the ultimate early childhood listening experience. I recorded Mozart’s 12 variations of the Twinkle lullaby in not just the original key, but in the entire chromatic scale: all twelve semitones to complete the octave. Mozart just got smarter!

This soundtrack is a permanent contribution to the Spatial-Temporal reasoning skills of all young minds. There are 350,000 babies born every day, worldwide, yearning for tender loving care and a quality auditory experience.

Please pass the word.

Thank you for your patronage.

This enhanced curriculum will inspire true musicianship; the ability to perform with technical agility within genres.

To design a progressive musical learning system,
I trained, certified, and appraised leading music teaching methods and formulated a hybrid curriculum that will benefit each child during their entire twelve-year window of neural maturity.

The resulting curriculum is the MUSICAL FUNTIME program.

A Musical Learning System that offers quality musical experiences in rhythm, pitch, notation, and instrumentation for ages 0-12.

As parents and teachers, the commitments we make to our children instill lasting values on their net worth.

Our decisions affect their goals and achievements;
their character, health, and intellect.

Music activates all these areas with indelible sparks that profoundly shape their lives forever. Let us nurture them wisely and follow through steadfastly.

“Harmonize Your Child’s Future with Music Today”

No Other Program is as Comprehensive

To get started, Contact:

Joseph Dominic
JD@BabyEncore.com
702-423-4435

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